Category Archives: books

G is for Genes

G is for Genes, by Kathryn Asbury and Robert Plomin, makes a very strong case for something most teachers, and probably many parents, know already. Children are not blank slates.  Young people inherit as much as 60 – 70% of their aptitude for maths, for example.  Asbury and Plomin’s book makes a nonsense of successive education ministers’ attempts to expect state schools to compete with public schools when the latter are able to select pupils by ability.  Furthermore some pupils achieve despite attending a poor school, and some will never achieve even if with the very best teaching.  So what is the answer? A more diverse curriculum, one that does not expect the same from every pupil.

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The Day It All Changed

When I was a young I knew animals had souls. I was a thug until around the age of seven or eight, and had, until then spent far too long devising sinister tortures for wasps and minnows.  I won’t detail them here, I am not proud of what I did. But I had a dog, which we put into kennels when we went on holiday, and when we returned it was dead. I was inconsolable. I thought of my dog, a sweet little Sheltie pup, and imagined it pining for us, wondering why it had been abandoned.  I thought it of it as retribution for all the horrors I had inflicted on tiny creatures.  I became protective of all living things, of the smallest creatures, even of plants.  I took it a step too far with my feelings for inanimate objects, and in sensing their natures, began to understand where the temptation to hoard comes from.  The universe, some say, is cold and ruthless.  Life is an aberration.  I live with that, but at the same time I can’t help but marvel at life, at being, at what we are and what we make of the world around us.

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The Art of Wandering

Every Good Friday, when I was a child, friends and I used to walk the ten miles or so to the top of Twm Barlwm, a mountain dominating the reclaimed marshlands of south Wales.  In my imagination, uncorrupted by historical detail, this is where the Celts stood fast, watching over the slow encroachment of Romans stationed in the fort of Caerleon, just below.  It was a mountain of war, and later, in my teens, I witnessed real battles as gangs from nearby towns fought with chains and axes, as determined as the Celts and the Romans not to give an inch.  I watched these events from the safety of the ferns, and sometime later, when the gangs had gone, returned with my dog to wander along the mountain’s spine, to the strange mound at its summit. From there, under the steel grey sky, it felt as if all of the world, and the future, was spread out before me.

Arthur Machen’s Hill of Dreams is a book based on his boyhood love of Twm Barlwm, and Machen’s later work, particularly his London Adventure is a hike through the demi-monde of Edwardian London.  He was a flaneur who perfected the art of wandering.  He wanders London as he wandered the Welsh hills.  When, in my early twenties, I followed Machen’s footsteps and moved from south Wales to west London, I worked hard at being a flaneur.  I loved strolling aimlessly through the leafy suburbs, and in the city I adored the river’s muddy allure.  But I didn’t get to be a seriously good at it, I was Welsh boy in Dr Martens. I didn’t have the style.

After my own decade and a half of London adventure, I moved back to Wales, this time away from the industrial south and into the central wilderness. Here I crave nothing more than to be rambling in the mountains, getting closer to the clouds, and sometimes above them.

I tend to walk with a small bunch of serious hikers. These people have all the kit, the Nordic poles, heavy duty water bottles, stainless steel thermos flasks. They study maps. Some of them have beards.  They are not wanderers, they are athletes. Usually these walks take six hours or so, and often cover twenty miles.  We struggle up steep slopes and spill over and down them again.

We usually start in a car park and at some point manage to find a pub, often an ancient, hidden place, a few dating back to the thirteenth century, some even earlier.  I’ve come upon remote hillside churches with eerie murals, like Death wielding a shovel, or St George slaying what I supposed was a dragon but which looked more like a giant, angry sparrow.  I know the twisted spine of Cwmyoy, and the tumbling, secluded magic of Llanthony and Tintern.

Most of my fellow hikers have travelled this way before, and they know the stories.  Up high in the mountains I’ve seen the wreck of a Wellington bomber that lost its way in the fog; the caves where the Chartists hid their weapons as they planned revolution.  There’s the poet’s chair, and the grave of a famous racehorse. There are standing stones, remnants of Iron Age forts, terraced ramparts, a hermit’s cell.  I’ve looked across the plains of Herefordshire and seen the blue remembered hills of Shropshire.  Look south and there’s the Severn, glinting.

I like writers who are walkers: Rosseau, Wordsworth, Machen, Bruce Chatwin, WG Sebald.  Wandering has a great pedigree. In their books one phrase reappears time after time: solvitur ambulando – you can solve it by walking.  After hiking all day whatever problems you have disappear, and the simple pleasures of sandwiches, or a flask of tea, with the land spinning about you, miles and miles of it, on and on, never ending, whisk all worldly cares up into the clouds, to be lost forever in the vast ancient wilderness.

 

n.b. this originally appeared in the Awfully Big Adventure Blog.

 

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Alchemy

It’s a limbo I’m sure all writers understand.  The book is finished, and has been reduced to the essence of what it should be. I’ve always thought writing, or any creative activity, is like alchemy.  The alchemist takes raw materials, or base matter, and subjects it to a process of reduction until there is nothing but a purified essence.  This, perhaps, is the mysterious white stone.  It is everything stripped down to all that matters.  I forget who said that good design is the art of knowing when you’ve reached the point where no more can be added, and nothing can be taken away.  Perhaps it’s the same for writing a book.  I don’t want to add any more, and I dread taking anything else away.  Meanwhile I am in limbo, waiting for my agent to reveal to me what she intends to do.  Will she represent it?  And if so, to whom?  Will she be ambitious, cautious, or will every publisher in town get to see it?  So I cook boiled eggs and eat toast.  I read more. I fidget.

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Cutting Tentacles

In June I went to see my agent, Catherine, who, along with Amy Waite, a new member of staff at the agency, sat with me and made some suggestions on what to do with the new book.  At the moment it’s called Octopus Crush. I hope it stays that way, but you never can tell with publishers.  It’ll probably end up being called Hairy Octopus or His Dank Tentacles.  

Catherine wants cuts, and I can understand why.  It’s because my book is far too long.  One day, perhaps, I will assemble the cuts into Octopus Crush, the Author’s Cut, but it will be rambling and have too many scenes in which nothing happens.

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